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This personal essay describes the author's visit to Provence to see the sites where Cézanne painted a number of well-known landscape paintings. He compares the paintings with the landscape as it existed when the paintings were painted, and as exist today, to trace the connections between landscape, and art, and in particular, Cézanne's artistic techniques. Finally, the author suggests that Cézanne's close observation of the natural world, and commitment to studying the old masters still has something important to teach us today in our digital age.