Submissions from 2019
Sam Shepard’s ‘Body’ of Tragedy, Tamas Dobozy
Submissions from 2018
Border Crossings, Watery Spaces, and the (Un)Verified Self in Middlesex, Jenny Kerber
Romantic Ramblings, Revisited: Eco-Logics of Mobility in Sina Queyra's Expressway, Jenny Kerber
Submissions from 2017
Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series, Philippa Gates
Crossing America’s Borders: Chinese Immigrants in the Southwesterns of the 1920s and 1930s, Philippa Gates
Border Insecurity: Reading Transnational Environments in Jim Lynch’s Border Songs, Jenny Kerber
Submissions from 2015
Remediating the Past: Doing “Periodical Studies” in the Digital Era, Maria DiCenzo
Caribou, Petroleum, and the Limits of Locality in the Canada–US Borderlands, Jenny Kerber
Submissions from 2014
“You Are Turning into a Hive Mind”: Storytelling, Ecological Thought, and the Problem of Form in Generation A, Jenny Kerber
Submissions from 2013
The Assimilated Asian American as American Action Hero: Anna May Wong, Keye Luke, and James Shigeta in the Classical Hollywood Detective Film, Philippa Gates
Submissions from 2011
Imagining Transcultural Fandom: Animation and Global Media Communities, Sandra Annett
Submissions from 2010
Pressing the Public: Nineteenth-Century Feminist Periodicals and “the Press”, Maria DiCenzo
Pulling up Roots: Border-crossing and Migrancy on Southern Alberta’s Irrigation Frontier, Jenny Kerber
Hunger, History, and the Shape of Awkward Questions: Reading Sarah Klassen’s Simone Weil as Mennonite Text, Tanis MacDonald
Submissions from 2009
Improvising Chicago, Tamas Dobozy
The Maritorious Melodrama: Film Noir with a Female Detective, Philippa Gates
Icyireze in Rwanda Fifteen Years Post-Genocide, Madelaine Hron
Itsembabwoko ‘à la française’? Rwanda, Fiction and the Franco-African Imaginary, Madelaine Hron
Submissions from 2008
The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of The Maltese Falcon, Philippa Gates
Torture Goes Pop! : Screening the Praxis of Torture in Films & on TV, Madelaine Hron
Submissions from 2007
The Czech Émigré Experience of Return after 1989, Madelaine Hron
Mary Magdalene Preaches through Song: Feminine Expression in the Shrewsbury Officium Resurrectionis and in Easter Dramas from the German Lands and Bohemia, Peter V. Loewen and Robin Waugh
A Curious Beatitude by Sarah Klassen [Review], Tanis MacDonald
Submissions from 2005
The Holocaust as Fiction: Derrida’s Demeuere and the Demjanjuk Trial in Philip Roth’s Operation Shylock, Tamas Dobozy
Submissions from 2003
Of Hard Men and Hairies: No Mean City and Modern Scottish Urban Fiction, Sylvia Bryce-Wunder
Submissions from 1998
"Designed Anarchy" in Mavis Gallant's The Moslem Wife and Other Stories, Tamas Dobozy
Submissions from 1997
Negotiating Audiences: Confronting Social Issues in Theatre/or Young Audiences, Maria DiCenzo