This paper examines how cultural representations affirm national belonging within the context of Canada’s involvement in the War on Terror. To do this, it takes as its central case study an exhibition of official war art, 11 Artists for 11/11 (2012), which was mounted on public display in celebration of Remembrance Day. This paper approaches the exhibition and the works included in it by addressing their representative and non-representative (or affective) qualities, in order to think through the ways in which visual narratives of military history participate in shaping sentimental attachments to Canadian identity and being Canadian.
"Affective Terrains: Art, War, and National Belonging,"
Canadian Military History: Vol. 26
, Article 1.
Available at: http://scholars.wlu.ca/cmh/vol26/iss1/1